COSMIC GIRLBOSS
Margarita Athanasiou, DLBLR, Emily Hunt, & Salesforce Child
26 Mar–17 May 26
Eröffnung: 25. März, 18 Uhr
Here in the heart of capitalist Western Europe, we are taught to achieve fulfillment through our financial potential: that a dream job and a nest egg will set us free. As the political and economic insecurity that we have historically exported to the Global South and East comes knocking on our door, this doctrine of individual optimisation starts to unravel.
Enter the COSMIC GIRLBOSS. She sees systemic crises as spiritual challenges from the universe, asking her to simply manifest material security harder. When she is let go from her job, rather than, say, unionising, she charges her crystals and asks her Tarot deck to point her in the right direction. She is an entrepreneur of the divine.
This exhibition assembles artists who playfully and lovingly examine gendered spiritual entrepreneurialism and its historical, political, and technological contexts. Emily Hunt offers us talismans for navigating neoliberal systems, as well as allowing the GIRLBOSS to truly touch the great mystery of the cosmos. The artist duo DLBLR subvert and reclaim the cultural appropriation and commodification of spiritual practices in pop culture. Salesforce Child crafts a new religion out of the horrors of the smartphone screen and the naked, frenzied worship of pure capital it enables. Margarita Athanasiou gives a fantastical, historical perspective on the relationship between fascism, the occult, and the Internet.
The COSMIC GIRLBOSS’ spiritual entrepreneurialism is especially well-suited to digital platform economies such as TikTok and Instagram. For-pay Tarot readings and algorithmically determined astrological horoscopes abound, often marketed to women and queer people. The term ‘GIRLBOSS’ is itself a sexist product of the 2010s Internet, describing female entrepreneurs who cloaked their hypercapitalist ambitions in a sheen of peppy feminism. The archetypical GIRLBOSS does not need to be a woman, and she is very rarely actually a boss, but her endless quest for money is defined by a gendered financial precarity.
This exhibition acknowledges the power of the COSMIC GIRLBOSS, and how her spiritual strategies help cope with the volatility of our crumbling economic systems, while also gently insisting that there must be more to her, and our, contemporary spiritual life.
Accompanying programme
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COSMIC GIRLBOSS Opening
Performance by DLBLR
25 Mar 26 , 6.00–10.00 pm
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COSMIC COUNTERREADINGS 30.04. & 02.+03.05.
Readings & Performances by Wassim Z. Alsindi, Margarita Athanasiou, Emily Hunt, Dera Luce, Salesforce Child & more guests. Coorganised by the Enchanted Epistemes Research Group.
30 Apr 26 , 7.00–9.00 pm
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Finissage COSMIC GIRLBOSS
Exhibition Tour & Girlboss Karaoke by Fenek Sélavy
17 May 26 , 6.00–10.00 pm
Über die Künstler*innen
Margarita Athanasiou is an artist and organiser based in Athens, Greece. Her practice is text-based, utilises collage techniques and brings together autobiography and history to create multi-layered narratives in the form of publications, video essays, prints, memes and digital images.
DLBLR (Delaine Le Bas & László Farkas)
Delaine Le Bas was born in Worthing, U.K, in 1965. She studied at St Martins School Of Art London. Delaine is a cross disciplinary artist creating installations, performance, photography and film. Her works focus on issues of identity, race, gender, sexuality and the continued violence and exclusions against whoever is perceived as “the other” within society.
László Farkas aka Lazlorrobot Homorrobot is a media worker, Jumping Fitness Trainer, DJ and queer Roma activist. Former organizer of the Roma LGBTQI floats at Budapest Pride and Berlin Queer Pride. Founder, technical assistant and editor of several Roma, queer and sex worker community related art and media projects
Emily Hunt‘s artistic practice critically engages with the historical and cultural significance of ornament, magical practice, and grotesque imagery as vehicles for subversion and transgression. Her ongoing research focuses on Renaissance print media, specifically the period’s occult philosophy and the archetype of the witch as portrayed in Renaissance print culture.
Salesforce Child‘s (Summer Emerald) work speaks in an idiosyncratic yet immediately recognizable blend of corporate and devotional language across painting, video, performance, writing, drawing, and social media The work reflects the semiotic chaos of contemporary systems, imbued with the sense that what we have built is leaving us behind.
Team & Unterstützung
Curation: Frances Breden
Exhibition Design & Production: Carolina Redondo
Curatorial Assistance: Fenia Franz
Prject Assistance: Paulina Afonina
Invigilators: Hassan Elmalik, Daniela Schoepe & Team
Visual Identity: Polina Zagumenova
The Galerie im Turm is run by the municipal government of Friedrichshain-Kreuzberg. This project is supported by the Berlin Senate Fund for Presenting Contemporary Art in Berlin, the Fund for Communal Galleries, and the Fund for Exhibition Honorariums for Visual Artists.
Accessibility
All videos have English or German subtitles.
There is a musical artwork with printed out lyrics to read.
There are reading materials in English and German.
There is a video in the basement that is only accessible by a staircase on Thursdays and Saturdays. If that isn’t accessible for you, you can ask the galler invigilator for a version of the video on a tablet.
More information on the gallery’s accessibility can be found on our About Us webpage.