THE HEAVY AIR THAT SURROUNDS US
Anaïs Senli
1 Nov–12 Jan 20
Microscopic beings moving with the ocean currents are generally referred to as plankton. They are scarcely recognisable by the human eye, but the cycle of life cannot be imagined without them. They are the essential foundation of the food chain of marine ecosystems, and are responsible for biochemical processes vital to life, such as photosynthesis.
Cyanobacteria, too, are involved in photosynthesis. More than three billion years ago, they developed as one of the first forms of life in a climate with almost no oxygen. By using photosynthesis to harness light and transforming CO2 into oxygen, they gradually changed the composition of the atmosphere. Through the symbiotic processes of these early forms of bacteria, increasingly complex forms of life began to develop.
Today, meaning since industrialisation and the technological development of fossil fuels, vast quantities of CO2 are again being released. As a consequence, we are experiencing rapid mutation in the global climate, leading us to question life as we know it. At the same time, the majority of oil extracted today came originally from ocean microbes – that is, plankton – and dead biomass, which is broken down and compressed over millions of years, loaded with energy from the sun.
The Heavy Air That Surrounds Us points towards the agency of micro-organisms, rethinking the materiality of our world. Can we imagine a world beyond humanity? The journey to the origin of life takes us to the dimension of geological time, and in doing so, it brings us to contemplate the very fragile nature of our present.
EVENT
21 Nov 19, 7 – 9 pm
NO MATTER FUNCTIONS AS A BORDER
Conversation with Anaïs Senli, Regina de Miguel, and María Morata
facilitated by Lena Johanna Reisner (en)
About the artist
Breaking Away from Anthropocentric Thought: An Interview with Anaïs Senli
Interview by Martha Lochhead
Berlin Art Link (28 Oct 19)
Team
CURATOR: Lena Johanna Reisner
The artist and the curator would like to thank: The team of Kunstraum Kreuzberg and Galerie im Turm, namely Stéphane Bauer, Felix Brieden, Ferdinand Gieschke, Melanie Liu, Linnéa Meiners, Daniel Noack, Nadia Pilchowski, Jorinde Splettstößer, as well as the team of invigilators and mediators; the installation team, namely Arthur Aigon, Carolina Redondo, Juan Saez; Sonja Hornung for translations, as well as Pilar Fonseca, Ignacio Español, Eirik Sördal, Sonia Fernández Pan, Regina de Miguel, Lorena Juan, Siegmar Zacharias, Marina Caba Rall, Camille Mandoki, Pau Bongo, Stéphane Born, Carles Calero, Sylvia Sadzinski, Isabel de Sena, Whitney DeVos, Eduardo da Conceição, Maria Morata.
Supported by Senatsverwaltung für Kultur und Europa: Fund for the presentation of contemporary visual art, exhibition fund for municipal galleries, fund for artist remunerations.
Galerie im Turm is an institution of the municipality Friedrichshain-Kreuzberg.